airgetsnáithe (
cailisairgid) wrote2009-02-08 02:18 pm
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{log} for idleness is chief mistress of vices all
The inn where the twins have been staying since their reunion is, in some ways, almost idyllic. It's a charming place, at least, and on a warm afternoon Nuala and her brother are down from their room in the courtyard. Her sewing and her books are abandoned in the grass next to her while Nuala sets lazily about weaving crowns out of the garden's flowers. Without looking too closely at the tableau, it could easily be taken for perfectly peaceful.
(Only, even with her skirts pooled around her and a comfortable air of something like relaxation, Nuala looks too often to see what her brother's doing, too closely, too alert. Unwary in a way that carries an edge like defiance.)
It wouldn't take someone long to find them here, if they knew who they were looking for.
(Only, even with her skirts pooled around her and a comfortable air of something like relaxation, Nuala looks too often to see what her brother's doing, too closely, too alert. Unwary in a way that carries an edge like defiance.)
It wouldn't take someone long to find them here, if they knew who they were looking for.

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On his face is a frown a of concentration, his dark lips faintly pursed, his eyes focused keenly upon the tiny piece of something he holds in his hand, at which he picks carefully with the pliers. He appears to be completely unaware of the world beyond this fiddly, minuscule business of his, but that is most certainly not the case.
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So she sees them from the shadows of a doorway and pauses there, evaluating the man who must be Nuala's brother quickly and with a fair degree of accuracy before she steps out into the garden.
"Nuala," she says, smiling, "You're always so hard to find. Is this your brother?"
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Let's just casually stress all of Lilia's fabulous good points! (Even if that there is a minor stretch of the truth.)
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"Lilia. My sister speaks very highly of you." And none of her compliments have really affected his attitude, apparently. "What brings you here?"
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"I didn't know you were saying nice things about me, either." She focuses on Nuala, briefly, shaking her head. "I'm embarrassed now, what if I can't live up to them?"
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Nuada would have been king, would have been a leader; Nuala draws people to her in a subtler way, with gentle hands and artless smiles. There are those, observing the fae, who might say it's only a different kind of danger.
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The object in his hand is pebble-sized and dark, and there's a glint of something brassy, like a fine wire, but it has no immediately recognizable form overall. He picks something tiny from the box, places and adjusts, tweaks carefully with the pliers.
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"How have you been?" She asks, settling in and picking up one of the flowers Nuala shook out of her hair.
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The hands are busy and the mind is free. She enjoys needlepoint for this reason, too. "We've been looking for somewhere to live, and - reached a compromise regarding my plans for a store." What delicate phrasing! "Wherever we go, I'd very much like our own library."
She's very good at this casual, light conversation, with all its layers existing purely in implication.
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She glances at Nuada again, thoughtfully, but goes back to Nuala quickly. She wonders where their quiet, almost open mood from the last time went- she'd liked it, that distance beginning to close, and she determines that she's going to try to spend more time with Nuala away from her brother until they settle into each other.
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"We will be looking," he adds quietly.
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"Ohh," she says, nodding - at Nuala, primarily, "That might be a good idea, to get a feel for how to run something like that."
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Whether or not she is immediately visible (there is a washroom, after all), he moves after a pause to set the wooden craft box somewhere safe.
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He reenters the room proper after not too long—or appears in the doorway, at least, and leans there lightly. From there he watches his sister—waiting, perhaps, for her to speak first, or for the most fitting words to occur to him.
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That's a promising start.
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Possibly, Nuada, because you refuse to let her speak to anyone without raising your hackles at everyone involved. Just a thought. She must see that her brother is still at war in his heart, if not in his conduct.
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Before long, Nuada realises that his fingers have curled into the fabric over his heart—over the healing scar his sister made. He lets them linger there a while before his hand finally drops away.
«No, we each chose our own path. It is useless to dwell on what might have been... and now it seems time has changed us both in ways we cannot fully know at a glance. Not anymore.» Another brief silence; he leaves the doorway, slowly. «The sister I once knew would not have favoured the company of mortals over mine.»
His words are calm, but in that final sentence lies a certain weighty undertone, a snake writhing in the grass.
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Quieter, less sharp, {How can you expect me to trust you when I know - when I can see - that you won't return it?}
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A pause, and then, soft but not gentle, {You speak of protection when you have held the knife to me yourself, Nuada, we are neither of us guiltless.}
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